Parrot and Olivier in America, double Booker Prize-winning author Peter Carey’s eleventh book, is a rollicking, rambling, rakish look at unexpected friendship, art and burgeoning democracy.

Loosely based on Alexis de Tocqueville (but don’t let that scare you away) Carey has created the character of Olivier de Garmont, a young, effete French noble still reeling from the slaughter of the revolution, and has paired him with Englishman, John Larrit (known at Parrot for his uncanny ability to mimic), a grizzled former printer’s devil, as his unlikely servant. From alternate points of view we discover America from their vastly different perspectives as we also learn about their vastly different histories. Uniting the two in their reluctant partnership is the looming presence of the Marquis de Tilbot, the one-armed tour-de-force who commandeers both characters in sometimes subtle and oftentimes profound ways. Also uniting the two colorful characters is a love of art, as well as the love of feisty portraitist Mathilde. As they negotiate the daunting new country of America, under the guise of Olivier writing a study of America’s prisons, both men discover as much about themselves as they do about this new democracy.